Music Concert Report Essay

The highly consider live trio made up of pianist Bill Charlap, bassist Kenny majuscule and drummer Peter Washington bumped for about an hour an a half. Their motionless melodies and precise playacting worked perfectly together to bring a massive performance against the New York city skyline at Dizzys Club Coca-Cola. The trio opened up the show with a nisus called Ill entertain April.The call was originally written in 1941 by constituent de Paul (Wilson, McElrath, Tyle). Ill concoct April first performance was in a very atypical setting. The song was not performed in a Broadway play or fart Club but rather the 1942 drollery Called tease Em Cowboy. Actor Dick Foran sang the song in what a critic at the snip called, Ill remember April was an harbour of sanity in the madness (Wilson, McElrath, Tyle). Although an odd start the pic Ride Em Cowboy proved to be significant in the hit the hay community for another reason as swell up.In the movie the noteworthy lie wit h vocalist Ella Fitzgerald appeargond in her first film role playing an employee at the dude ranch named Ruby (Ill think up April (1941)). She intercommunicate a light, frothy, easy-going humor in her performance of A-Tisket, A-Tasket (Ill hatch April (1941)). This movie brought out just how significant jazz medicament was at the time beca implement it made a mediocre film arrive to life. This was not Gene De Pauls first time creating a brilliant jazz song.The pianist, composer and arranger had written more songs before for Hollywood films and Broadway shows such as You Dont Know What Love is and Star Eyes (Ill Remember April (1941)). He had worked with many lyricists before but on this position song Gene de Paul worked with his friend Don Raye and Patricia Johnston (Ill Remember April (1941)). The lyrics portrays two distant lovers remembering the past and be possessed of a oddment connection with Dorothy Fields The Way You Look To iniquity (Ill Remember April (1941)).The song entered the pop charts in the spring of 1942 after being save by Woody Herman and his Orchestra. The song did not catch on readily because it differed in many ways from the typical pop song of the time. The pipeline and form separated Ill Remember April the most from other medical specialty of the time. Songs of the time usually followed an A-A-B-A form, repeating a lot giving it a catchy tune. Ill Remember April until now, used a 48-bar A-B-C-D-A-B form qualification it seem long and dragged out compared to other popular jazz songs. Wilson, McElrath, Tyle) Beboppers Charlie Parker and bud Powell were among the first to explore the songs unconventional structure, followed by an important 1950 recording by Red Norvos trio with Tal Farlow and Charles Mingus (Ill Remember April (1941)). The actually musicality of the song is quite complex with many accord changes and key changes. The song starts off in G but has a false key change to Bb major during the first eight measur es of the bridge over (Wilson, McElrath, Tyle). The emotional state of the song is major it moves rather step wise throughout.The reconcile progression of the song is a twist and turn roller coaster fetching you from a G to a E major back to the G then to a D7. This is important because it allows for many different substitutions of chords and improvisations. (Wilson, McElrath, Tyle) One of the most important and defining acts in hunch is improvisation. It is expect that during any jazz performance one or more musicians will improvise. Improvisation is so common that most of the time a musician will not perform the same piece the same way twice.However the immunity given to jazz musicians does come with some boundaries. Ill Remember April gives much leeway to improvisation as long as they are elect carefully so as to at least imply a logical harmonic progression (Wilson, McElrath, Tyle). Typical jazz instruments are the sax, clarinet, flute, vibraphone, trumpet, piano, guit ar, banjo, tuba, parlay bass, bass guitar, vocals, trombone and drum kit. The size of the band can vary greatly in jazz however from an ensembles which can assume as dinky as two people to big bands that can have as many as 30 people.The Jazz show that I axiom was a trio including a pianist, bassist and drummer. The setting in which I dictum ll Remember April performed is much different then the setting I would have seen it in 1942. I saw the song be performed in a rather fancy evening setting at a Jazz Club where there was dinners and drinks being served. The club was juvenile and well designed. The background signal behind the performers was a large window outlooking part of the New York City skyline.Around 75 people went to the club to watch a well respected trio play their rendition of Ill Remember April, as well as several other songs. In 1942 I would not have been able to go to a club one night and be served dinner as I listened to a band play the song. At first the onl y way to hear the song was in the movies it was featured in. The song was featured in the 1942 film Ride em Cowboy as I had mentioned earlier, it was also in the 1942 movie stringently in the Groove and was again featured in the 1945 movie eve Knew Her Apples.It is not until later that I would have been able to sit raft at a jazz club or plan hallway to see the piece be performed. Anita Boyer recording of Ill Remember April appeared on the album The nat King Cole Trio The MacGregor Years 1941-1945 disc 4 (Wilson, McElrath, Tyle). Since then Ill Remember April has been recorded hundreds of times by respective(a) artists throughout the years. The songs unconventional characteristics became assets, and it found favor as a bop vehicle (Wilson, McElrath, Tyle).Each performance of Ill Remember April takes on its induce identity according to the performer. Artists have put their own twists on the song sometimes even implying a Latin-feel or they have stuck close to the original. The aspect of flexibility while maintaining the same brilliant issue makes Ill Remember April so exciting making artists recreate the clean for years. Before going to the concert I listened to Ill Remember April performed by Charlie Parker. Charlie Parker was an extremely influential jazz saxophonist. He recorded Ill Remember April on July 5, 1950.While having the same melody Charlie Parkers version of Ill Remember April and the Bill Charlap Trios version differed greatly. The biggest difference was the use of instruments. The Bill Charlap Trio did not include a saxophone. I had expected to hear a saxophone so at first it took a second for my ears to adjust when the Bill Charlap Trio began to play the song. I in person preferred the saxophone. I thought it gave the song a very demanding tone catching the audiences attention while at the same time it gave the song a very magically, flowing feeling.The saxophone was also backed up by other instruments like the piano which gave it a ful l sizeable sound. The piano, bass, and drums of the Bill Charlap Trio also gave a good performance however I felt it lacked a clear lead instrument how the saxophone did for Parkers rendition. One aspect I did like more in the Bill Charlap Trios version was the elongated piano solo. Solos are very important in jazz music and they occur often. Solos give artists the opportunity to improvisation keeping the piece fresh and giving it an element of surprise.Throughout the Bill Charlap Trios performance there were many solos. In Ill Remember April it was the pianos time to shine. I enjoyed the solo because it showed off Bill Charlaps talent and kept the piece exciting. An interesting aspect of his solo was he included a poesy from Dorothy Fieldss The Way You Look Tonight which as I mentioned earlier gave inspiration to the writing of Ill Remember April. Overall I enjoyed listening the piece live better than the recording because it allowed the music to come alive rather than just listen ing to a recording.Going to the concert opened my eyes to what seems to be a whole new world. I was very anxious and nerve about what to expect when I went to the Jazz Club but when I got there I was pleasantly surprised. The music was entertaining and I loved the experience. Looking up the history of the songs continue to spark my interest. It is very interesting to see how music written seventy years ago is still influential and played in modern settings such as a Jazz Club.