The first Academy of Art was founded in Florence by Giorgio Vasari, who c completelyed it the Accademia del Disegno - the academy of representation by signs. There students learnt the cunningi del disegno, a sharpness coined by Vasari, and included lectures on anatomy and geometry. Another academy, the Accademia di San Luca (named subsequently the protagonist saint of painters, St. Luke), was founded a decade or so afterward in Rome. More so than the Florentine Accademia del Disegno, the academia di San Luca served an educational function and was more concerned with art theory. The academe di San Luca later(prenominal) served as the mock up for the Royal Academy of motion-picture show and sculpt founded in France in 1648. The Academie francaise very probably select the term arti del disegno which it translated into beaux arts, from which is derived the English term Fine Arts. The Academie francaise was founded in an crusade to distinguish artists, who were gentlemen pra cticing a liberal art, from craftsmen, who were engaged in manual labor. This emphasis on the intellectual component of art making had a considerable impact on the subjects and styles of academician art.
After the Academie francaise was reorganise in 1661 by Louis XIV (whose charter was to control all the artistic activity in France) a contr oversy occurred among the members that were to overleap artistic attitudes for the rest of the century. This was what has been described as the battle of styles, the betrothal over whether Peter Paul Rubens or Nicolas Poussin was a adapted model to follow. Followers of Pou ssin, called poussinistes, argued that line ! (disegno) should dominate art, because of its appeal to the intellect, man following or Rubens, called rubenistes, argued that color should dominate art, because of its appeal to emotion. Nicolas Poussins Et in Arcadia Ego... If you urgency to get a full essay, order it on our website:
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